The work of Bristol sound co-founder the musician-producer, this scabrous though undernourished debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a darkly funny duel unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
Just a single important plot development, but it results in a hilariously staged rampage on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
Game is in UK and Irish theaters from 17 November.
